Rueben Haigh

Caskey is a unique font with a graffiti motif, outdoor activities, and an abstract display with gorgeous graphics.

We put all of it into this typeface, which we dubbed Caskey. We also include alternates, ranging from thin to thick, to make it easier for you to use; you are free to choose whichever suits you best. Now is the time to use this typeface to bring your specific project to life.

This graffiti font is great for product logos, poster titles, headlines, packaging, film titles, logotypes, gorgeous writing, and trendy graffiti designs, among other things.

Of course, if you utilize this font in your numerous creative projects, they will be perfect and outstanding.

Use this typeface right away for your one-of-a-kind and remarkable projects.

Maui Wowie is a display font with an island vibe. It includes a serif and sans serif version.

• Uppercase Character Set A-Z
• Numerals & Simple punctuation

The poster for the 1930 film “Show Girl in Hollywood” had the title hand lettered in a squared Art Deco style with some angled cross strokes. This became the basis for Dancing Girl JNL, which is available in both regular and oblique versions.

Lydia Sans™ is an elegant geometric sans serif with a charming profile and organic flow. Inspired by the clean typography of the 1920s, it's character and legibility make it suitable for any kind of text applications, from brand design to extensive text layouts.

Lydia Sans™ has 22 styles, variable font technology and its weight range spreads from hairline to ultra bold forms. Flexible and adaptable, it covers 230+ languages, including extended Latin, Cyrillic and Greek writing systems. With over 1300 glyphs per style, its Opentype features include alternative shapes, small caps, standard and discretionary ligatures, localised forms in Latin and Cyrillic, case sensitive forms, numerators and denominators, proportional and tabular figures, slashed zero, fractions and more.

As a workhorse type system, Lydia Sans™ is a sans serif for everyday use and a great choice for a wide range of applications.

• Suggested uses: perfect for brand design, editorial design, web design and packaging design;

• 22 styles: 11 weights + 11 italics.

• 2 variable fonts;

• 1315 glyphs in each weight;

• OpenType features: Access All Alternates, Small Capitals From Capitals, Contextual Alternates, Case-Sensitive forms, Glyph Composition, Discretionary Ligatures, Denominators, Fractions, Standard Ligatures, Lining Figures, Localised forms, Numerators, Oldstyle Figures, Scientific Inferiors, Small Capitals, Stylistic Alternates, Stylistic Set 1, Stylistic Set 2, Stylistic Set 3, Stylistic Set 4, Stylistic Set 5, Stylistic Set 6, Stylistic Set 7, Stylistic Set 8, Subscript, Superscript, Tabular Figures, Slashed Zero;

• 220 languages supported (extended Latin, Cyrillic, Greek alphabets).

Minigap is a geometric sans serif family that has a minimal height difference between upper and lower case. In other words if you’re into typography, it has a very high x-height... yes, very high.

The choice was made to finally have a typeface that could appear very neat, reducing ascending and descending parts of the glyphs (b, d, g, j, l, ...) that could interfere with the lines above and below. All of that without going to extremes in a unicase style but also without renouncing to a great legibility.

This aesthetic, in fact, translates into a pleasant visual effect that creates well-defined lines and enhances the layout, looking excellent on small screens.

A meticulous optical correction, starting from pure geometric lines, was applied to every glyph, aiming to obtain the best version of each.

The pointed corners of capital letters and numbers have been kept even in the heavier styles, to give consistency to the family. You can clearly see how clean they look.

Stylistic alternates are included:

• “i” and “j” can be set to the x-height, to have a more common aesthetic; by default they are set in the lower version, fitting better the purpose of this typeface.
• a two-story “a” is also available, to give you one more customizable option and extend the range of use.

Minigap is a universal font, versatile by nature, it can work in countless situations. From physical products such as company material, signage and magazines, to digital environments like apps and websites. Very suitable for embracing a corporate rebrand.

It is available in 14 styles (7 uprights + matching italics), has OpenType features and supports multiple languages.

The Regular weight is offered for free, have fun!

Check out other unique fonts by Gravitype here.

"Toxide" is a gothic font inspired by Celtic and uncial style. We give a unique touch so that this display font is very suitable for brands, logotypes, headlines, badges, video titles as well as for book and magazine covers.

This font supports Latin diacritic for basic glyph along with its 7 stylistic sets. A total of 1193 glyphs give you the flexibility to choose the right glyph in your design.

Please enjoy and have fun with the stylistic set game that you like while you feel the classic feel in a modern design

Redtone is a Geometric Sans serif font family, a combination of straight lines and perfect circles and sharp edges. this geometric typeface is perfect for every display.

This font has 14 fonts consisting of 7 weight from thin to bold with matching oblique.

Redtone fonts have an extended character set to support Central and Eastern European as well as Western European languages.

This font is a great choice for logo, packaging, greeting cards, presentations, headlines, lettering, posters, branding, quotes, titles, magazines, headings, web layouts, mobile applications, art quote, typography, advertising, invitations, packaging design, books, book title and more.

Moula is a modern sans serif with a geometric touch. Containing of 18 font, 9 uprights and its matching italics.

It's shown a clean, minimalist, elegant, warmth, quirky, yet still purposed to be versatile and easy to read. Fit for various design or creative project.

Support extended language (+ Cyrillic), fractions, tabular figures, ligatures and more. Perfectly suited for graphic design and any display use. It could easily work for web, signage, corporate as well as for editorial design.

JT Olifer is family font of Jolicia Type designed by Laire Banyu Sandi Pawenang in October 2021, JT Olifer inspired by Modern Typography developed by us in our perspective, with a typeface detail in every corner we make more rounded, and give an inktrap accent to make unique impression special in every glyph, we really consider about aspect legibility, therefore we make family font amount 40 to assist the selection according to visual needs.

Font type of JT Olifer contains several nuances that combain aesthetic, contemporary and modern, furthermore we make some alternates glyph that have a friendly and subtle impression, for example ‘f’ the alternate of this name our font we designed is more circular and smooth.

JT Olifer has a total of 465 letters with regular, slanted and condensed styles support in 90 languages :

Afrikaans Albanian Asu Basque Bemba Bena Breton Catalan Chiga Colognian Cornish Croatian Czech Danish Dutch Embu

English Esperanto Estonian Faroese Filipino Finnish French Friulian GalicianGanda German Gusii Hungarian Inari Sami Indonesian

Irish Italian Jola-Fonyi Kabuverdianu Kalaallisut Kalenjin Kamba Kikuyu Kinyarwanda Latvian Lithuanian Lower Sorbian Luo Luxembourgish

Luyia Machame Makhuwa-Meetto Makonde Malagasy Maltese Manx Meru Morisyen Northern Sami

North Ndebele Norwegian Bokmål Norwegian Nynorsk Nyankole Oromo Polish Portuguese Quechua Romanian Romansh Rombo

Rundi Rwa Samburu Sango Sangu Scottish Gaelic Sena Serbian Shambala Shona Slovak Soga Somali Spanish Swahili Swedish Swiss

German Taita Teso Turkish Upper Sorbian Uzbek (Latin) Volapük Vunjo Walser Zulu

A 1918 poster issued during World War I from the YWCA encouraged women to pitch in to the war effort by joining the “United War Work Campaign”.

The Art Nouveau hand lettering of that poster was a slight throwback to the “Western” or “Victorian” style of typography because of the characters having split serifs.

This is now available as Village Hall JNL, in both regular and oblique versions

The above-the-store signage for many newspaper stands, soda shops, candy stores, luncheonettes and pharmacies of the 1950s and early 1960s were what was referred to as “privilege signs” provided by one of the major cola brands.

Consisting of the brand’s emblems on the left and right, the remainder of the sign would carry the desired message of the storekeeper (such as “Candy – Soda – Newspapers”) in prismatic, embossed metal letters.

Inspired by these vintage signs, Privilege Sign JNL recreates the condensed sans serif lettering style in both regular and oblique versions. The typefaces are solid black, but adding a selected color and a prismatic effect from your favorite graphics program can reproduce the look and feel of those old businesses.