Rueben Haigh

Mauritz Caps is a brush script typeface.

A lively uppercase graffiti-style lettering fonts, Mauritz Caps was drawn and created by Mans Greback in 2021 to be the ultimate set of wild-style handwritings for logotypes and branding.

This calligraphy family consists of five high-quality fonts in a variety of weights:

Mauritz Caps Thin, Light, Regular and Bold.

The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability.

It has extensive lingual support, covering all Latin-based languages, from North Europe to South Africa, from America to South-East Asia.

It contains all characters and symbols you'll ever need, including all punctuation and numbers.

Keizer is a serif display typeface freely inspired by the display metal fonts of the early XXth century, reminiscent of those used in cartographic and book design. Its five versions display an open-face, an inline-flared, outline and decorated capitals, and an essential titling high-contrasted serif face. Keizer works well both on print and screen, ideal for book covers, posters and logos. Every weight includes small caps, petite caps, stylistic alternates and a neat set of ornaments.

Balter Serif is a hand-drawn layered typeface family inspired by sign painting, 1960’s movie posters and jazz album lettering. It can look fresh and modern or exquisitely vintage. Combine upper, lowercase and alternates to create a handmade custom lettered look, then layer the styles using colors to add value and depth to your designs !

Balter Serif works perfectly in short headlines. It is suitable to create a wide range of projects from posters to branding, logos, packaging, magazines and more.

Features

• Uppercase & Small caps
• Numbers & Symbols
• International Glyphs
• 60 Alternates & swashes
• 70 Ligatures
• 30 Letter combinations

Quick tip for layered fonts in Adobe Illustrator :

Click and drag out a text frame to start (don’t just click with the cursor on the page). Then select the stacked text frames, go to Type in the menu bar > Area Type Options > Offset: First Baseline and select “Fixed”.

Beach is a geometric stencil font in two variants. Powerful, futuristic and unique.

Inlow is a font that evokes a sense of retromodernity, aesthetics, and something perfect. When developing it, I wanted to convey a touch of retro design and modern design. It can be used in the design of posters, logos, covers, Instagram, just in the text and many other ideas, all just border on your ideas. I think I can see this font on the covers of books. It's exciting.

Inspirations were book covers and cars from the 60s and 80s. I wanted to convey retro and modernism.

The use of the font is unlimited, and the support of many European languages and not only gives a huge scope for creativity!

Design By Eugene Bunin.

Marcelo's new typeface Emperator —based on his knowledge gained from instruction by master calligraphers— provides a fresh perspective on classic typefaces.

Emperator comes in 3 variants that make your designs look elegant, legible and expressive. This font is perfectly suitable for a wide range of applications such as titles, wedding invitations, short text, logos, labels, book covers, posters, packaging, etc.

Emperator's character set includes small caps (letters, figures and symbols), fractions, stylistic alternates, ligatures, mathematical symbols, etc.— more than 750 glyphs in all, supporting over 200 Latin-based languages.

CAPITALIZED, geometric, bold and round.

If the typo­grapher sees a font like that, it's enough to make his toes curl. But sometimes it just has to be that way.

Geometrically constructed fonts do not necessarily have to be pointed and angular; It also works consistently around. And if I say it consistently, then in this case, that's done consistently.

The basis for the BOULE is the circle. The letters are drawn with constant line width, the “corners“ and endings all have the same radius, the lines are all the same thickness.

The BOULE consists only of capitals. There is only one difference in the use of uppercase and lowercase letters: in the uppercase letters, the round letters are circular, while the lowercase letters are narrow.

The character set of the Boule contains all letters and accents to support the Western, Northern, Central and Eastern European languages with Latin alphabet.

The BOULE is not only very fat, it also runs very tight; that is, the glyphs are very close to each other. To avoid "holes" due to unfortunate letter combinations, the BOULE contains ligatures for FT, ST, TT and TZ.

There are also other versions of the font: BOULE Brillant on the one hand. In this version, simple highlights simulate a light incidence from the top right. These light edges give the font a decorative effect that makes it easy to think of wet sausages or balloons in some shapes.

And finally the BOULE Contour. As the name implies, it is the outer contour of the letters, combined with a shadow at the bottom left.

The name BOULE (French for ball) says it already: this font is globated. Therefore, it is also very suitable for all three-dimensional alienation effects. With simple light and shadow you can achieve a very convincing 3D effect with little effort.