Rueben Haigh

Jullina is a charming script font that adds an organic, handwritten feel to your designs while staying polished and clean. It’s a versatile font that would work great in many different projects including branding, social media posts, product packaging, product designs, labels, and invitations.

Jullina comes with 359 glyphs including uppercase, lowercase, numerals, punctuation and includes OpenType features such as an alternate Uppercase set and 47 ligatures to create an authentic, handmade feel.

Opentype- Jullina is an opentype font and recommended for programs that support opentype features such as Adobe Illustrator, Adobe Photoshop, Adobe Indesign, Pages, Word.

What’s Included

• 359 glyphs — Uppercase, lowercase, numbers, symbols, punctuation, 47 styled ligatures & an alternate Uppercase set for more customization.

• Multilingual Support — Multilingual Support is included for Western & Central European Languages.

Jullina is a charming script font that adds an organic, handwritten feel to your designs while staying polished and clean. It’s a versatile font that would work great in many different projects including branding, social media posts, product packaging, product designs, labels, and invitations.

Jullina comes with 359 glyphs including uppercase, lowercase, numerals, punctuation and includes OpenType features such as an alternate Uppercase set and 47 ligatures to create an authentic, handmade feel.

Opentype- Jullina is an opentype font and recommended for programs that support opentype features such as Adobe Illustrator, Adobe Photoshop, Adobe Indesign, Pages, Word.

What’s Included

• 359 glyphs — Uppercase, lowercase, numbers, symbols, punctuation, 47 styled ligatures & an alternate Uppercase set for more customization.

• Multilingual Support — Multilingual Support is included for Western & Central European Languages.

Jullina is a charming script font that adds an organic, handwritten feel to your designs while staying polished and clean. It’s a versatile font that would work great in many different projects including branding, social media posts, product packaging, product designs, labels, and invitations.

Jullina comes with 359 glyphs including uppercase, lowercase, numerals, punctuation and includes OpenType features such as an alternate Uppercase set and 47 ligatures to create an authentic, handmade feel.

Opentype- Jullina is an opentype font and recommended for programs that support opentype features such as Adobe Illustrator, Adobe Photoshop, Adobe Indesign, Pages, Word.

What’s Included

• 359 glyphs — Uppercase, lowercase, numbers, symbols, punctuation, 47 styled ligatures & an alternate Uppercase set for more customization.

• Multilingual Support — Multilingual Support is included for Western & Central European Languages.

Kutai is an explorative typeface that created to pursue unique display typeface fuse with ethnic look. It's consist of three styles or instance; Normal, Tall and Taller which have different height between each other, especially the x-height.

A few years ago I've discovered the work of one of the most prolific typeface designers of the Bruce type Foundry in NYC during late nineteenth century. Browsing Julius Herriet's work I found a very unique kind of ligatures in his patented "Old Style Ornamented" type design. Some letters were designed with a little top tail that allowed them to connect to each other. After that, I found that he also designed a single italic weight of the same font 7 years later. 

Since the beginning of the Opentype days I’ve been deeply obsessed with exploring different ways to build ligatures, so that lead me up to this point where I felt the need to create “Plethora”, this new font inspired by Herriet’s work. Extrapolating weights, adding variable technology and playing with additional interconnected letters and alternates. Definitely, Plethora means a large or excessive amount of something, and this font tries to bring back this abundance of details two centuries later. Available in 9 weights, from roman to italic, and also as variable format, “Plethora” supports plenty of latin languages and is a perfect choice for today’s design tides.

In many aspects, built in a traditional way. Still, some modern details have been implemented which classic designs sometimes lack. The prime goal was to make a strong text font for books and longer texts in general. This fact does not exclude the possibilites for use elsewhere. Throughout history existing designs have often been the source of inspiration for newer ones. Delicato is no exception and looking closely, similarities can be found in the lowercase of Jeremy Tankard’s Enigma and the stems of Petr van Blokland’s Proforma.

The goal is to respect these sources and turn the the typeface into something new with a unique and personal touch. Most text faces carry a basic set of weights like Regular, Italic, Bold and Small Caps. MRF wanted to expand that a little bit further and added a Medium, Alternates and a set of Ornaments to make the family complete and versatile.

Quadrim - Serif Font Family - Multilingual -12 Style (2020)

On the basis of Quadrim, it is a mix of the old-fashioned Roman serif family. The old style serif combination combines, modern aesthetics with fantasy and Art Nouveau serif fonts, making Quadrim a versatile family that can be used in many different design projects.

This font offers a wide variety of styles to help you discover the best mood for your projects, from body text to large titles, from classic styles to modern and bold styles.

It is very suitable for book and magazines, magazine covers, editorial, titles, websites, logos, invitations, branding, advertising and more.

CHARACTER RANGES :

   Basic Latin,

   Latin-1 Supplement,

   Latin Extended-A,

   Latin Extended-B,

   General Punctuation,

   Currency Symbols,

   CJK Symbols And Punctuation,

   Private Use Area (plane 0),

With this font you can create your unique designs.

If you have a question, please contact me.

Have a good time.

Adi Stern’s Noam Text shows that typographic progress is often in the small things — in the perfecting of familiar traditions and in staying loyal to the spirit of what came before. It can’t really be called progress unless it honours its history. In this way, TypeTogether is happy to introduce Noam Text: A Hebrew and Latin serif font that builds on its heritage with the twin tools of honour and progress.

Since 1908, the Frank-Rühl fonts have dominated the Hebrew book and newspaper market. Noam Text’s design goal was to create a coherent family with both Latin and Hebrew serif text typefaces, each authentic to its own script, and which would serve as an alternative to last century’s predecessor.

In short order, users will recognise Noam Text as a source of progress in its bilingual abilities. Hebrew and Latin have opposite reading directions, creating many issues: opposing directionality of the open counters; vertical stress in Latin, but horizontal in Hebrew; fewer extenders in Hebrew; and no Hebrew capital letters. All these have been taken into account in Noam Text’s modern design. Of unique importance — all punctuation marks have a Hebrew version, which makes each script complete and uncompromising. Among other technologically advanced details, Noam Text was programmed for all expected scenarios of mixing Hebrew, Latin, figures, and punctuation.

Noam Text is intended mostly for setting long texts, so it strives to achieve maximum legibility in minimum space with its large x-height, short and fairly condensed Latin capitals, large and open counters, and low contrast. Originally derived from the Hebrew, the shallow horizontal curves and strong baseline serifs provide dynamism and enhance the reading flow. Noam Text Latin’s italic is rounded and reading friendly, is condensed to generate a lighter texture than the roman, and has a flowing stance. These virtues help it endure harsh printing conditions and subpar inks and paper.

Noam Text’s three total weights provide a proper solution for integrating texts in both scripts, as well as a contemporary alternative for use in books, newspapers, and magazine design. Aligned with TypeTogether’s commitment to produce high-quality type for the global market, the complete Noam Text family displays an impressive amount of discretion, applying to wide use-cases by not edging too close to religious motifs or imbibing in secular indulgence. This means Noam Text can be the go-to family across the board and capitalise on the desire for clear typographic progress in this modern age.