Rueben Haigh

Leaves and Twigs is a quirky handwritten font trio and floral illustrations collection with fun variations, that is perfect for logotype design, branding and packaging, and social media posts.

Just in time for the holidays, Leaves and Twigs is also perfect for homemade seasonal designs (such as postcards, prints, and present tags).

Included in this collection:

• a tall, all-caps sans serif font - with a slant alternative
• a small, spaced sans serif font - with a jumpy alternative
• a spaced script font - with a slant alternative
• a floral illustrations dingbat font - with a blackout alternative

All written with the same pen, at the same size, so that the line width is consistent throughout the collection, for easy pairing (floral illustrations are sized down by 4x).

A mix of Renaissance & tropical atmosphere

Basco is an exploration of the Renaissance style, a period in which letterforms were informed primarily by hand writing. It is clearly a contemporary interpretation of calligraphic shapes forms.

The serifs are subtly asymmetrical. Slightly curved arches on the n, m and u are noticeable, creating an interesting tension in the text. Bruno Mello’s distinctive style is most obvious in his mastery of super fluid curves. It is a result of his extensive exploration of calligraphic forms, their tensions and dynamics, mixing angularities with curves. The roman weights include alternate swashes, as well as initial and terminal glyphs. The italics, based on chancellery script, feature simple stroke endings, most visible on the s and c.

➼ Basco minisite

Description

Hand Sworth a work that is purely a result of handwriting, has a natural characteristic. this is perfect for invitations, signatures, blogs, social media, business cards, product brands.

Hand Sworth has Stylistic standard, Stylistic Alternates and ligatures. and includes uppercase and lowercase letters, numbers and punctuation marks.

FILE INCLUDE

• Hand Sworth (OpenType,PUA)

Open Type features can be accessed by using OpenType smart programs such as Adobe Photo Shop, Adobe Illustrator, Adobe Indesign, Corel Draw and Microsoft Office.

special greetings for all, all of us all smoothly in running the routine

Blinked is a stylish handwritten script font. It is suitable for your crafting projects, but also for logos, quotes and so much more.

Pinktart is a lovely handwritten font with a natural and unique design will make your project more beautiful. The font is suitable for your branding project, printing, logos dan wedding.

Included:

• Pinktart (OTF)

Features:

• Beautiful Ligatures
• Alternate
• Multilingual Support
• PUA encoded
• Numeral and Punctuation

by Yumnatype

Loathing is a bold Display Font with its distinctive character that can be easily implemented in your various design projects . Loathing came with opentype features such stylistic alternates, stylistic sets & ligatures good for logotype, poster, badge, book cover, tshirt design, packaging and any more.

Features : • Character Set A-Z • Numerals & Punctuations (OpenType Standard) • Accents (Multilingual characters) • Ligature • Alternate

Introducing Kavo Sans Serif typeface - 4 weights

Kavo is clean, modern typeface with 4 weight, ligatures and multilingual support. It's a very versatile font that works great in large and small sizes.

Kavo is perfect for branding projects, home-ware designs, product packaging, magazine headers - or simply as a stylish text overlay to any background image.

• Uppercase, numeral, punctuation & Symbol
• Light
• Regular
• Bold
• Black
• Multilingual support

Feel free to contact me if you have any questions!

Mock ups and backgrounds used are not included.

Thank you! Enjoy!

Anji is a font with a modern Calligrapy look and energetic. With extra attention to quick strokes and sharp details, is ready and perfectly fit for your logo designs, music projects & social media posts, event poster, brand imagery, product packaging, handwritten quotes, merchandise, etc.

What’s Included :

• Standard glyphs
• Ligature
• Works on PC & Mac
• Simple installations
• Accessible in the Adobe Illustrator, Adobe Photoshop, Adobe InDesign, even work on Microsoft Word.
• PUA Encoded Characters – Fully accessible without additional design software.
• Fonts include multilingual support for; ä ö ü Ä Ö Ü ß ¿ ¡

Express 18 is a sans-serif with open forms and optically balanced noticeable contrast. typeface is designed for universal use. supports extended latin and open type function.

Stiffeny Maritta is a flowing handwritten font, described by an elegant touch, perfect for your favorite projects. Fall in love with its incredibly distinct and timeless style and use it to create spectacular designs!

Dihjauti /di:.'hjau.ti: | dee.'hyow.tee/, predominantly based off Dwiggin's Electra with shades of Palatino and Perpetua, is modern and stately. Like its inspirers, it has broad counters and spacing, which temper it and give it warmth, making it comfortable and well-suited for longer texts. It is balanced in all aspects, from its punctuation to its reference marks and symbols. Its design takes into consideration all extra characters for languages that few fonts support, such as African and First Nation. These extra characters, such as Edh, Esh, Gamma, Ezh, Yogh, the pharyngeal fricatives, the click consonants, which have added capital versions, the glottal stops, et cetera, actually look like they belong, as opposed to being afterthoughts. The italic incorporates a touch of Arrighi. It includes all transcription systems relevant to the Latin, Cyrillic, and Greek alphabets, as well as standard Coptic, plus extra characters for Teuthonista and First Nation. It also includes, to list a few, Egyptian-styled pictographs (where applicable), APL, a plethora of mathematical symbols and arrows, and a number of alternatives in the PUA. A Fontlog is included for referencing all additional characters.

Notes: 1) The superscript characters, modifier letters, and the numerators, are all part of the superscript table. 2) The bold versions of the font have some alternative/reversed characters; I did this because there is no difference in the math or punctuation symbols, i.e., the bold versions are not actually bold (with exceptions), which gives the font a better harmony. 3) The font uses anchors, which means that it will not align properly for linguistic use, or otherwise, without open type. 4) For those interested, Open or Libre Office can access all glyphs using: Insert > Special Character.