Rueben Haigh

POSSIBLE is both sans and serif, either is possible. The typeface is a sans-serif impersonating a spur serif, or it’s a glyphic with the look and feel of a sans. 

This clean, contemporary family is inspired by Percy J Smith’s ’Petit Serif’ from 1928, and similarly takes inspiration from Johnston’s Underground, though more recent influences provide geometric and humanist elements that, together with the tiny micro-serifs, improve clarity and legibility.

Spur serifs such as Petit Serif, Copperplate and Liberty are often caps-only fonts, but Possible contains a lowercase, as well as a full Latin Extended-A character set.

Possible is available in five weights – Thin, Light, Regular, Medium and Bold – each supplied with a corresponding, optically-corrected italic.

Black Eagle is a flowing handwritten font, described by an elegant touch, perfect for your favorite projects. Fall in love with its incredibly distinct and timeless style and use it to create spectacular designs!

Anchoe is a bold, unique, fashionable, luxurious, modern and elegant serif with lots of ties and alternatives that will make your presentation more amazing and stand out! Anchoe supports Multi Languages and PUA has been coded.

This font is versatile and perfect for any modern project including branding designs, logos, invitations, wedding decorations, website designs, Instagram, business cards, and more.

Feature:

Uppercase + Lowercase

Numbers + Punctuation

OpenType features

Multilingual support

If you have questions, feel free to contact me via Gmail: Cooldesignlab@gmail.com.

Give us "like" and support our work. Thank you very much.

Enjoy !!!

Izmir is a modern, geometric font family. Izmir font family consists of 44 fonts in two widths, normal and narrow where each width consists of regular and italic styles in 11 weights. Each weight is equipped with useful OpenType features. A local ampersand has been added to use in Turkish in normal weights and italics. The combination of normal and narrow weights can be an excellent choice for any graphic design and display use.

Parula is cool and lively like its sweet warbler namesake. Hand-drawn with lots of unique personality and line variation, Parula lends itself to any creative project requiring youthful energy. With double-letter ligatures and more, Parula has lots of charming options, easily turned on or off. Whether creating a look for a fun family game or the cover of a new children's book, Parula will be noticed. Parula pairs beautifully with Turmeric!

Aceh is a geometric sans serif font family, we make it in sharp and soft shapes, in the form of Upright with matching Oblique.

Aceh consists of 9 weight, Black is the most appear strong and powerful, while thin looks more clean and modern.

Aside from being a text font, we also intend this font for branding purposes, appearing more elegantly dynamic and reflecting a dynamic lifestyle.

Modern, Clean, Readable and powerful are the basic concepts of this font. With a choice of 36 fonts, we believe your brand will stand out

Forged to be as imposing as a Norse horde ready to stampede into battle, Works great in all caps which it was initially designed to. I designed the lowercase characters to match really well with each other and the uppercase, so it works well in title case. Plus it has a great set of looking numbers and loads of extras.

Introducing, The Wanters. A vintage display typeface with the touch of nostalgic feel yet still looks luxury in a modern design concept. This typeface has unique looks and strong character with its ornament / swashes. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Features :

• Uppercase & lowercase (alternates)
• Numbers and punctuation
• Stylistic alternates
• multilingual
• PUA encoded

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

Email us to letterhend@gmail.com if you need something! Happy Designing!

Haniberryku is a lovely modern script font with a natural & stylish flow. Perfect for making elegant stylish statements - or adding a touch of class to your designs. This script has a multitude of lovely alternates character in its OpenType features - making the font look a beautiful.

Haniberryku is perfect for many different projects such as logos & branding, invitation, stationery, wedding designs, social media posts, advertisements, product packaging, product designs, label, photography, watermark, special events or anything.

I highly recommend using a program that supports OpenType features and Glyphs panels such as Adobe Illustrator, Adobe Photoshop CC, Adobe InDesign, or CorelDraw, so you can see and access all Glyph variations.

We hope you enjoy the font, please feel free to comment if you have any thoughts or feedback. Or simply email me at kotakkuningstudio@gmail.com. Thanks for purchasing and have fun!

Amertha is a bold logotype script font created in 2020. 

It is wild and fast, and has beautiful, signature style brush strokes. 

The expressive movement of the letters creates a feeling of vitality and will grab the attention the viewer.

The typeface has OpenType features such as ligatures and a complete alternate alphabet, which makes it natural and adaptable to any project. 

It has an extensive lingual support, covering all European Latin scripts.

The font contains all characters you'll ever need, including all punctuation and numbers. 

Bredagh (pronounced Braid-ah) is a happy font! It can bring a smile to your face, yet is at one with science and mathematics and the Arts. It's first presentation is in a Poetry book. Overall, it is a strong and capable font.

The organic nature of the font Breadgh is in Nature itself, with the roundels as found in the cross-section of a tree, for example, both circular and rounded oblong shapes, influencing. Accordingly, some of the characters are of a condensed nature and some are not. The lower case does not have the condensed aspects but the numerals do.

In the creation of Bredagh, it was the dynamic between all of these that was part of the challenge. And to make them all work together subtly to be in overall harmony—was the ultimate challenge.